If there ever was a song that exuded sanguine enthusiasm for life and love of oneself, it's this little ditty right here.

This track's calm, muted nature and distant, undulating, bubbling synths make you feel like you're underwater, making the title make a lot more sense.

While she incorporates a stripped down version of classic reggae elements in this track, Kali Uchis brandishes her R&B skills from her multi-genre arsenal of musical styles, showcasing her silky smooth voice that can be described as a mix of Macy Gray and Amy Winehouse.

Perhaps a hint that breakups don't have to be dramatic and drawn out, TV Girl pushes us in the direction that shows they can be a relief and something to laugh at.

Lead singer Kelly Finnigan is a master of inflection; his voice captures the mixed bag of emotions that come with recalling long-ago treachery, weaving a tapestry of sadness, anger, regret, and desperation.

This track is luxuriously precise; a cavalcade of individually crafted sounds with sanded surfaces, sharpened edges, and nothing left to chance. 

“Spyglass” is a truly delightful creation, with just enough intricacy to hold your attention, but enough simplicity to allow you to get lost in blissful blankness.

"Burn the Witch" begins with a cheerful tone, but gradually transitions into a suspenseful, dramatic, urgent piece, crescendoing in both volume and intensity as the song reaches its climax and abruptly ends.

Such undeniable positive energy and good vibes make it irrelevant whether this song was released four days ago or forty years ago...

The Southern California native has struggled throughout her life with being caught between not wanting to follow the norm, but not knowing what alternative path to choose...

...it holds your attention with the raw emotions that both artists are able to invoke, making you feel in love with and betrayed by someone that doesn't exist.

Set aside any preconceived notions you have about the R&B chops of a white teenager from Canada because Ursa Major is the real deal.